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Open Studio Hour with Tali Weinberg and Charisse Pearlina Weston

Fri, May 14 / 12–1 pm ET

MAD’s Artist Studios are online!

Artist Studios residents Tali Weinberg and Charisse Pearlina Weston will host an informal, virtual studio visit via Zoom webinar. Learn about new directions in contemporary art and design while joining the artists in their homes and studios. Preview works in progress and chat with Tali and Charisse about their inspirations and creative practices.

Open Studio Hours take place on Fridays and welcome visitors of all ages, families, classes and camps, creative cohorts, aspiring artists, and more. Participants are invited to participate in the conversation via Zoom's chat function and will not be on-screen. Members of MAD’s Education team will be on hand to facilitate and help answer any questions.

Established in 2008, MAD’s Artist Studios program has served as an important platform for more than 180 artists and designers to advance their careers.

12:00–12:30 pm ET with Tali Weinberg
12:30–1:00 pm ET with Charisse Pearlina Weston

ABOUT THE ARTISTS

Tali Weinberg draws on a history of weaving as a subversive language for women and marginalized groups to create a feminist, material archive in response to the worsening climate crisis. Through sculpture, drawing, and textiles, Weinberg traces relationships among climate change, water, extractive industry, illness, and displacement; between personal and communal loss; and between corporeal and ecological bodies. Weinberg’s work has been featured in the New York Times, Surface Design Journal, the Tulsa Voice, and Ecotone. Recent exhibitions include the University of Colorado Art Museum, 21 C Museum, Berkeley Art Museum, and the Center for Craft. Weinberg has taught at California College of the Arts, University of Tulsa, and Penland School of Craft.

Charisse Pearlina Weston’s creative work emerges from deep material investigations of poetics and the autobiographical. She utilizes glass to conceptually embody both the everyday risk of anti-black violence and the precocity and malleability of blackness in the face of this violence. Melding glass sculptures and photography with poetic fragments of black experience, her work examines the interstices of black interiors and intimacies. She reuses and re-articulates materials from past installations to formulate the next to represent both repetition as a symbol of Black cultural production and its reliance on an order of temporal engagement in which the second time encodes an emergent originality. Weston received her MFA from the University of California-Irvine, an MSc from the University of Edinburgh, a BA from the University of North Texas, and completed the Whitney Museum of American Art’s Independent Study Program. Recent exhibitions include solo exhibitions at Abrons Art Center and Recess (forthcoming), as well as group shows at the Contemporary Art Museum, Houston, and ArtPace, San Antonio (forthcoming).

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